Originally posted by Astrakan
Criterion is an independent company that licenses films, often more obscure titles, from movie studios and then releases the films, generally with quite a luxurious treatment. Back in the laserdisc days it was Criterion who gave birth to the Special Edition type discs we all know and love. Many of the SE discs being released by regular movie studios today rival, and sometimes exceed, what Criterion releases. Like I said, though, since Criterion mainly specialises in somewhat obscure titles their presence in the DVD market is still appreciated by many of us film lovers. Criterion does have a few titles that are more mainstream, Armageddon, The Rock, and Chasing Amy comes to mind. Generally it's hard for Criterion to get these types of licences though, as the studios themselves want to cash in on such big profile titles.
Anyhow, you can find out more about Criterion at these sites:
http://www.criteriondvd.com/
http://www.criterionco.com
The second site, criterionco.com, is the official site and is actually not very good. , the first site, criteriondvd.com, is much better and more informative.
If you have any other questions, just ask.
Ken Molen
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Just to add to Ken's comments.
Criterion is also important for the exceptional restoration work they do for a number of classic films. The big studios will deliver their Special/Ultimate/Collector Editions of big films and recent releases, but it is companies like Criterion that are doing the real work of preserving our film heritage. Films like the Third Man would never get the treatment they deserve without Criterion.
Now that the DVD format is firmly established the directors and studios are often planning supplements for the DVD even before the theatrical release of a film. Criterion on the other hand has to go to extensive lengths to obtain many of the supplements they provide for older films, especially when individuals involved in the original production have passed away.
Criterion also produces the best commentary tracks. For many DVDs the commentary is produced by recording the participants live, while watching the film. Criterion will produce their commentaries by recording many individuals separately and then editing them together. This produces tight, interesting commentaries which don't get stale and lapse into silence. Silence of the Lambs with Jonathan Demme, Jodie Foster, Anthony Hopkins, Screenwriter Ted Tally, and FBI Agent John Douglas is one example.
Brian
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